![]() ![]() You will see that FCPX gives you a little hint here in the bottom left hand corner of the canvas to select an area that should be pure white. You can also apply this colour correction fix to clips and images in the Final Cut Pro X Browser, not just the Timeline!īack to the Inspector and select White Balance form the dropdown menu in the Balance Color controls. ![]() The controls will appear in the Video Parameters Tab in the Inspector. You might notice a slight contrast change as well as Final Cut Pro X expands the blacks and whites to their corresponding 0% and 100% levels. This will apply an FCPX generated balance, which does look a lot better than the original, but there is still a cast. Then click on the magic wand and select Balance Color or you could use the shortcut OPT CMD B. Navigate to the bottom left of the canvas where you will see three icons. You would think that you need to head straight over to the colour tools in the Inspector ( CMD 4) looking for the auto white balance, but you would be wrong. Thankfully you now have a third option right inside FCPX. (It does happen!)īefore the 10.4 update you had two choices how to fix the colours.ġ) Mess about with the Colour Board with an eye on the vectorscope trying to remove the cast.Ģ) Buy a third party colour correction plugin or roundtrip through another NLE or colour grading app. This can happen with fluorescent lighting or even something simple like the cameraman getting the white balance or filter on the camera wrong. Here you can see we have an indoor portrait with a rather nasty colour cast. The good news is that the eyedropper and the Auto White Balance features are back in Final Cut Pro X 10.4, but not where you would expect to find them! Many editors complained that the handy eyedropper that made a 'one click fix' for colour correction had gone. When Final Cut Pro X was released back in June 2011, one of the missing features from FCP7 was the Auto White Balance tool. In this tutorial we will show you how to get rid of unwanted colour casts using the Auto White Balance tool in Final Cut Pro X ONWARDS AND UPWARDS.How to Auto White Balance Colours in Final Cut Pro X 10.4 With Ripple Training and Mark Spencer’s no nonsense approach, I feel I can give it a good go. Now to the downside!!! I am buying into DaVinci Resolve, which I thought was a million miles from my comfort area. ![]() So my advice is just buy this tutorial (and the others) they are quite simply…. Sorry if that sound a bit too sentimental, it is completely true. Since COVID-19 wrecked my regular job, I have been working on filming and editing projects and it has literally saved my family from financial ruin. Now people are wanting to buy my photos and commissioning me for video work. ![]() I am not a full time professional videographer or photographer. My photos have been getting praise and my video work has really jumped to another level. I also bought the ‘lighting an interview’, ‘sound editing’ etc. How naive! I was simply blown away by how Mark Spencer broke down colour theory and gave me a far clearer understanding and consequently more confidence/freedom. I thought I just needed to understand the approach in FCPX. I had watched lots photoshop tutorials on colour. This will seem strange a strange comment, but as a user of Photoshop and studying it for years I thought I was not too inexperienced with my understanding of colour. They quite simply have grown into the best online teachers available. I have been a customer of Ripple Training for many, many years, following along on their MacBreak studio episodes. Download this outline Advanced Color Correction in Final Cut Pro 1. ![]()
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